Tuesday, March 31, 2015

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Spin: A Novel, by Robert Rave

Taylor Green is a corn-fed young man from the Midwest who stumbles into New York without a clue, a contact, or a proper wardrobe. Through true serendipity (or possibly misfortune), he is hired by the outrageous, Jennifer Weinstein, the sleepless city’s most notorious public relations diva.  Quickly morphed into her most trusted assistant and confidante, Taylor is sucked into a whirlwind of restaurant openings, gossip columnists, and fashion shows. Suddenly Taylor is in the core of a world he never knew existed, a world of sex, greed, power, and fame, that's ruled by Jennie Weinstein herself.  Under Jennie’s guidance, Taylor quickly discovers that there isn’t a catastrophe, betrayal, or person that can’t be spun to suit the client’s needs. The perks are sweet: rubbing elbows (and other appendages) with big-name celebrities, the sudden opening of velvet ropes, and thousands of dollars worth of free designer duds. But like all swag, it comes at a price, and Taylor struggles to balance his own definition of sanity with that of Jennie’s drug-fuelled, high-intensity world.

The stakes only get higher as Taylor rapidly climbs New York's social ladder and Jennie's assignments become increasingly bizarre. Finally, when his relentless pursuit of “spin” threatens to spin his own life totally out of control, Taylor is forced to decide whether the cutthroat ends of a top public relations business justify the diabolical and often hilarious means to a successful career.
 
Funny, sexy, and irresistibly dishy, Spin is a shocking look behind the scenes of the glittering celebrity world. 

  • Sales Rank: #2775679 in Books
  • Published on: 2009-08-18
  • Released on: 2009-08-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.04" h x 1.19" w x 5.70" l,
  • Binding: Hardcover
  • 352 pages

From Publishers Weekly
The latest acid tale of people who sell their souls to the devil who wears Prada comes from a former New York publicist. Debut novelist Rave plunges his naïve Midwestern hero, Taylor Green, into the sweet-and-sordid world of New York publicist Jennie Weinstein, whose gift for spin has elevated her to the top rung of her profession. This, apparently, means endless nightclub openings, coke-snorting, sexual escapades, personal betrayals and celebrity gossip-mongering. Despite being used as Jennie's flunky in situations that range from illegal to embarrassing, Taylor is hooked. In a series of incidents that entertain through sheer outrage, he alternately succumbs and stands up to his boss while losing much, though not all, of his integrity, and the ultimate battle between them takes on truly hellish proportions. Taylor's awareness of his own susceptibility adds at least an inch of depth, in contrast to Jennie's unrelieved depravity. With its inside views of a corrupt yet glamorous lifestyle and its witty tone, the book is sure to please fans of the sub-genre.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"With its inside views of a corrupt yet glamorous lifestyle and its witty tone, the book is sure to please fans of the sub-genre." --Publishers Weekly

“Spin by Robert Rave is a delightfully snarky and hilariously biting peek into the world of high-stakes public relations.  With scathing wit and a gimlet eye towards celebrity culture, Rave serves up a delicious tale of rivalry, revenge, and redemption.  I adored Spin and didn't want to see it end.  You need two things in your beach bag this summer - sunblock and Spin.”  -- Jen Lancaster, New York Times bestselling author of Pretty in Plaid

“Robert Rave takes you on a behind-the-scenes walk on the dark-side of all the grit, vanity and backstabbing of the PR world and in the end you will be left ‘Spinning’.” -- Amanda Goldberg and Ruthanna Khalighi Hopper, New York Times bestselling authors of Celebutantes

"Robert Rave offers an X-ray look into the wicked perversions that make up the celebrity PR world.  Dirty, sexy, funny.  And compulsively readable." --J.J. Salem, author of Tan Lines

"Rave, a former entertainment publicist, delivers an impressive debut novel about the dirty world of celebrity PR." --Examiner.com 

About the Author

ROBERT RAVE, a former New York City-based publicist, has worked on numerous public relations campaigns and high profile special events in the lifestyle, fashion, nightlife and entertainment industries. After retiring from the business of “spin,” Robert is writing full-time and currently resides in Los Angeles.  Spin  is his first novel.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Spin
By Michelle K. Malsbury
August 2009 Review for Bookpleasures
Reviewer-Michelle Kaye Malsbury, BSBM, MM
Review
Robert Rave, author of Spin, was previously a publicist based out of New York City. He has worked extensively in the field of public relations and helped pull together many high-brow events from political campaigns and fundraisers to fashion shows and nightclub openings. The vast majority of those events involved an array of entertainment personalities and/or sports professionals. This is his first novel, but I hope not his last. For more information about the author please log on to his personal web site [...].

Taylor Green and Jennie Weinstein are the two most prominent characters of Spin, but not the only two to totally captivate and entertain you. Taylor hails from the Midwest and is the product of a single parent family where his mother worked almost non-stop to keep the family going and his grandmother, Ethel, raised him. He is greener than his name implies (in so many ways), but also a quick study which so works to his advantage. He lands in New York City working for a friend of his grandmothers' in a small-time, two person, public relations firm that deals primarily in small-time, ho-hum affairs.

Taylor's grandmother, Ethel, has told him tales about New York City and all of the glitterati there. Clearly she was more than enamored with New York. Ethel had once high hopes of making it into the big time as a dancer or actress on Broadway, but fell short of making her mark there. Now it's Taylors' chance to live her dream and make his mark on that stellar city. One day at an unlikely venue Taylor is offered his dream job---working with Jennie Weinstein Public Relations. It all happened so fast and caught him so off guard that he almost has to pinch himself to be sure this is really happening.

Taylor has gotten the chance of a lifetime, but it is not all Krystal and daisies. Jennie Weinstein is a real witch of a human being, but also a force to be contended with as she makes the stars in New York City and elsewhere rise or fall at her command. She is petulant, underhanded, non-repentant, devious, rude, over the top, and more. However, Jennie Weinstein is also widely thought to be the biggest and most influential public relations firm in the Eastern USA. She is driven to perfection and expects (no demands) the same from her employees. She has no qualms about calling any of her employees to do her dirty work at any hour of the day or night. All oblige her ever whim.

Taylor is one of the newer people at this swanky and prestigious firm, but he makes friends with the others fairly easily and even manages to find an office romance. One evening Taylor catches Jennie in some rather compromising circumstances. Naturally she is furious and out for blood. He manages to turn this event and that critical information to his advantage. Before long he is her right hand man and privy to all of her highest and most cherished clients, as well as, Jennie's darkest secrets.

This zany novel presented all of the necessary ingredients for non-stop reading and entertainment to the max (i.e., drugs, sex, insider celebrity profiles, scandal, and more). I was honestly sad to see it end. As a first novel this was better than superlative! I look forward to watching this book rise up the charts and gain recognition and accolades for author Robert Rave. Congrats on a job well done!

2 of 2 people found the following review helpful.
So addictive, my head is SPINning!!!
By Romi M
I read a lot of chick lit, some good, some *yawn*, but this book (beyond being refreshing because it came from a male perspective), had a vibrancy to it that I couldn't resist...not that the events were so sunny and happy...hardly, sometimes they were horrifying, mortifying, soul-crushing, and though I cringed for the characters many times, I still wanted more.

The author did a great job pulling in the reader from the start. The beginning chapter actually placed the reader deep into the story. It was like we were kind of "joining in progress", which made it all the more intriguing. The main character quickly wound up in the MOST precarious of situations, right from a few pages in. Then the next chapter started at the beginning, as we worked our way forward to how he wound up in that horrifying moment. It almost had a cinematic feel to it (I wonder if there will be a movie!).

From there every secret impulse to learn about the worlds of celebs was fulfilled. We were invited deep inside this secret world of back-scratching on top of back-STABBING, and who wouldn't love a bird's eye view of that?

Overall, it was the book that kept me from sleeping on the commuter train, as I "train read" this book faster than I've read any other.

So for a fast, fun and exciting read, I highly recommend it to anyone!

-Romi Moondi

2 of 2 people found the following review helpful.
Couldn't put it down!
By Kristin
Spin was probably my favorite book of 2009 hands down. If you love reading US Weekly and Perez Hilton you'll absolutely get a kick out of reading Spin. It's a quick, fun read but definitely different from other novels of the "chick lit" genre. The fact that the protaganist is male sets Spin apart right away (nice change to see a male point of view). I also loved that you never know whether or not Taylor will choose the right path - even the ending leaves things a bit open.

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Monday, March 30, 2015

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My Bedtime Book of Favorite Nursery Rhymes, by Roger Priddy

This wonderful book brings favorite nursery rhymes to life, with key words shown in a rebus style that encourages children to read along and interat witht he rhymes The beautiful embroidered illustrations give this book a warm, comforting feel that is perfect for bedtime reading. Includes Ladybug, Ladybug; Baa,Baa, Black Sheep; Twinkle, Twinkle, Little Star; and many more.. 2004 St. Martin's Press.

  • Sales Rank: #1607968 in Books
  • Published on: 2004-09-01
  • Released on: 2004-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.48" h x .73" w x 9.50" l,
  • Binding: Board book
  • 28 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Favorite Book
By NaNa Mae
This is my granddaughter's favorite book. Actually, this is the second one I bought of the book, because she wore out the first one so much.

4 of 5 people found the following review helpful.
My Daughter's Favorite Book
By Mom of Two
We LOVE This book. I love that its a board book and my daughter (now 13 months) can flip through the pages without ripping or wrinkling the pages. Its big and has wonderful pictures, and of course, the classic nursery rhymes. I highly recommend this book.

0 of 0 people found the following review helpful.
We love this book!!
By keri
Ordered my 2nd book for my third child. The first one was falling apart and worn out!! This book is a must have!!

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Sunday, March 29, 2015

~~ Fee Download News Reporting and Writing, by Missouri Group, Brian S. Brooks, George Kennedy, Daryl R. Moen, Don Ranly

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News Reporting and Writing, by Missouri Group, Brian S. Brooks, George Kennedy, Daryl R. Moen, Don Ranly

The Missouri Group's clear and authoritative step-by-step approach comes from years in the field and in the classroom. Through extensive contemporary examples and dependable, no-frills advice, the Missouri Group teaches students the reporting and writing skills they need to become effective journalists in every medium and for every beat. The ninth edition of News Reporting and Writing addresses students' greatest challenges by providing more writing help than ever before. It prepares students for the realities of today's news rooms with the most contemporary coverage of new trends in journalism including convergence, citizen journalism, and researching online. A reinvigorated new text design emphasizes what's important, increases ease of navigation, and makes salient features and examples quicker and easier to find.

  • Sales Rank: #868548 in Books
  • Published on: 2007-11-08
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x .89" w x 8.31" l, 2.16 pounds
  • Binding: Paperback
  • 608 pages

Review
"This text jostles the teacher to today's realities. It is full of the cutting edge information needed in today's journalism world. This includes even blogs and the teaming up of television and the newspapers. This book covers it all and has one of the best chapters on sources ever published."

-- Deidra Jackson, University of Mississippi

About the Author
BRIAN S. BROOKS is associate dean for undergraduate studies and administration at the University of Missouri School of Journalism. In addition to coauthoring News Reporting and Writing for Bedford/St. Martin's, he is coauthor of Telling the Story, Third Edition (2007), Working with Words, Sixth Edition (2006), and The Art of Editing, Seventh Edition (2001).

GEORGE KENNEDY, professor emeritus at the University of Missouri School of Journalism, is also a coauthor of Telling the Story, Third Edition (2007) and Beyond the Inverted Pyramid (1993), as well as a former managing editor of the Columbia Missourian and a former bureau chief for the Miami Herald.

DARYL R. MOEN is professor of journalism at the University of Missouri School of Journalism and former editor of three daily newspapers. Moen is also coauthor of Telling the Story, Third Edition (2007) and Beyond the Inverted Pyramid (1993), and author of Newspaper Layout and Design, Fourth Edition (2000).

DON RANLY is professor emeritus of journalism at the University of Missouri School of Journalism and was formerly director of the magazine sequence at the school. He too is coauthor of Telling the Story, Third Edition (2007) and Beyond the Inverted Pyramid (1993), author of Publication Editing (1999), and editor of Principles of American Journalism (1997). He has also produced "Ranly on Writing" audiocassettes and "Ranly on Grammar" and "Refrigerator Journalism" videocassettes.

Most helpful customer reviews

0 of 5 people found the following review helpful.
News and Reporting, 7th ed.
By J. Peck
this book came in a timely and ordely fashion, it is in great condition almost brand new and it is a great book. i will definetely keep the book for use in future college classes and hopefully will do exceptionally well in this Journalism class. Thanks

10 of 11 people found the following review helpful.
Can't Beat It
By A Customer
While I can't actually comment on the current edition, I'd like to say that this is the same book I used 18 years ago in college and it was excellent. I still have my copy and refer to it occasionally when I'm covering an area that I don't handle often. The authors are from the University of Missouri School of Journalism, one of the top journalism schools in the country because most of the faculty have real-world, hands-on experience. This book today is used in hundreds of journalism classes around the country.

6 of 7 people found the following review helpful.
Great journalism tool
By Luci Fortune
News Reporting and Writing is an excellent tool for aspiring journalists. It is very easy to read and right on the money, as far as content. It covers everything from writing a catchy lead for your stories to a step-by-step process for interviewing. The book also has sidebars that emphasize the important elements in each chapter. I would recommend this book to not only anyone interested in journalism, but to anyone interested in learning how to write better.

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Tuesday, March 24, 2015

? Ebook Download Winterland: A Novel, by Alan Glynn

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"Timely, topical, and thrilling."-- John Connolly "A terrific read...completely involving."-- George Pelecanos "WINTERLAND sets a dramatically high benchmark for emerald noir. With all the operatic inevitability of Greek tragedy, it anatomises what greed has done to Ireland. A resonant, memorable and uncomfortable read."-- Val McDermid "This is the colossus of Irish crime fiction, what Mystic River did for Dennis Lehane, WINTERLAND should do for Alan Glynn, it is a noir masterpiece, the bar against which all future works will be judged."-- Ken Bruen

Winterland is a blistering unputdownable novel about power, lies and the corrupting influence of money. It is the first in a series on the dark and clandestine underside of globalization and announces a compelling new voice in contemporary crime writing.

The worlds of business, politics and crime collide when two men with the same name, from the same family, die on the same night—one death is a gangland murder, the other, apparently, a road accident. Was it a coincidence? That’s the official version of events. But when a family member, Gina Rafferty, starts asking questions, this notion quickly unravels.

Devastated by her loss, Gina’s grief is tempered, and increasingly fuelled, by anger—because the more she’s told that it was all a coincidence, that gangland violence is commonplace, that people die on our roads every day of the week, the less she’s prepared to accept it. Told repeatedly that she should stop asking questions, Gina becomes more determined than ever to find out the truth, to establish a connection between the two deaths—but in doing so she embarks on a path that will push certain powerful people to their limits...

  • Sales Rank: #2387563 in Books
  • Published on: 2010-02-02
  • Released on: 2010-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.55" h x 1.13" w x 6.46" l,
  • Binding: Hardcover
  • 320 pages

Review
“A terrific read...completely involving.” —George Pelecanos

“Glynn has conjured the unreal, transfigured character of Ireland’s capital....It’s a portrait not too far off the real place, but exaggerated enough to make this an enthralling and addictive read.” —The Guardian (London)

“A provocative and richly textured novel.” —The Independent (London)“Timely, topical, and thrilling.” —John Connolly “Winterland sets a dramatically high benchmark for emerald noir. With all the operatic inevitability of Greek tragedy, it anatomises what greed has done to Ireland. A resonant, memorable and uncomfortable read.” —Val McDermid “This is the colossus of Irish crime fiction, what Mystic River did for Dennis Lehane, WINTERLAND should do for Alan Glynn, it is a noir masterpiece, the bar against which all future works will be judged.” —Ken Bruen

About the Author
ALAN GLYNN is a graduate of Trinity College. His first novel, The Dark Fields, is currently being produced by Universal Pictures.

Excerpt. © Reprinted by permission. All rights reserved.

ONE

1

He is sitting in what they now call the beer garden. Before the smoking ban came into force it was a concrete yard, a skanky area at the back of the pub that was all stacked crates and kegs and empty cardboard boxes. But with a little outdoor furniture—decking, benches, tables, pole umbrellas for when it rains—they’ve transformed it into a "space," a haven where smokers can congregate, light up their Players or Sweet Afton and give out about the excesses of the nanny state. There has even been some confusion, not to say tension, over etiquette. If a nonsmoker occupies the last available seat, as might happen in summer or on an unseasonably balmy evening in winter, is he obliged to give that seat up to the next smoker who comes along?

Well, in this establishment, yes actually, because if you don’t smoke—the logic runs—what are you doing out here in the first place and what kind of a fucking baby are you anyway?

But tonight the question doesn’t arise. It’s a cold and drizzly Monday, just right for the season, and only five people, hard-core smokers, have come outside with their cigarettes and lighters (plus pints, vodkas, whatever) and settled themselves under the various umbrellas.

"Poxy night," he says, and laughs. This fat, pasty-faced twenty-six-year-old then stares across the beer garden at the young couple who are sitting opposite him. After a moment, he stares at the two old-timers sitting next to them.

One of these old-timers, Christy Mullins, nods his head in agreement. He reckons it’s better than doing nothing. He reckons that the fat, pasty-faced man in the denim jacket and white shirt over there isn’t someone you just ignore. He reckons that life is short enough as it is.

Still grinning, the fat, pasty-faced man nods back. He then takes a long, serious drag from his cigarette, gazing up at the illuminated, slow-falling drizzle as he does so.

He’s a regular here, but not everyone knows who he is.

Christy, for example, doesn’t know who he is—though he’s certainly seen him from time to time, and even remembers, now that he thinks about it, a specific incident that happened some months back. However, he couldn’t give you his name or tell you anything about him.

Which is exactly the way the man himself would like to keep it, because he’s not into any of this celebrity crap—talking to Sunday World journalists or going on Liveline. He doesn’t consider it good for business.

"Poxy Irish weather," he then says, half to himself now, and not looking at anyone in particular. "Poxy Minister for poxy fuckin’ Health."

Christy manages to ignore this, getting lost for a moment in a minor coughing fit. He then raises his pint with one hand and taps his cigarette against the ashtray with the other. That incident he does remember happened late one summer evening out here in the beer garden. The place was crowded, and the fat, pasty-faced man was sitting with a group of other—what were they—twenty-five-, twenty-six-year-olds? They were all drinking pints, smoking, digging each other in the ribs and laughing. Suddenly, out in the street, a car alarm went off—a high-pitched brain-piercing wail. The immediate reaction around the tables was a collective sigh of exasperation, and then, as the wail continued, a loud "Ah Jaysus" from someone near the door leading into the main part of the pub.

It was obvious that the offending car was parked very close by, and possibly even right outside the pub. But something else was becoming obvious, too. As the general hubbub gave way to the mute frustration of shaking heads, one of the fat, pasty-faced man’s co-drinkers put his pint down and said, in everyone’s hearing, "Isn’t that yours?"

Or—

Isn’t that yours, Noel.

That was it. He called him Noel. Christy remembers now.

"Isn’t that yours, Noel?"

At which fat, pasty-faced Noel shrugged his shoulders. "So?"

"I just—"

"Well, don’t fucking just anything."

"But—"

"Shut up, right?"

Noel then reached for his glass, and as he took a sip from it, staring ahead, not saying a word to anyone, an almost complete silence, icy and incredulous, descended on the beer garden, with only one sound remaining—the ceaseless, demented wail of the car alarm.

Christy threw his eyes up. People were obviously afraid of this young pup, and it sickened him. Who was he anyway, one of these gangland thugs you read about in the papers?

Noel took another sip from his pint, and a drag from his cigarette. Minutes passed, or what seemed like minutes. Eventually an elderly woman at the next table piped up. "Ah here, love," she said, "come on, I’m getting an awful headache."

It was only then that Noel stubbed out his cigarette and got up from the table to leave. He was huge, Christy saw—not only fat, but tall and broad as well. A barman appeared in the doorway just as Noel was approaching it. The barman’s eyebrows were raised, ready for a confrontation.

"All right, all right," Noel said, strolling past him, "keep your fucking hair on."

Less than a minute later, the car alarm stopped. Noel didn’t come back, and noise levels in the beer garden gradually returned to normal.

Now, of course, it is much quieter—later in the evening, later in the year. Darker, colder. The young man and woman, huddled close together, are more or less whispering to each other. The two old-timers, in contemplative mode, have barely exchanged a word since they came out here. Noel himself has been the most voluble, finding it unnatural to be sitting alone, not talking to anyone. He would rather annoy strangers, roping them into any conversation at all, than sit in silence.

"I was watching that fucking Discovery Channel the other night," he says, lighting up a cigarette. "Apparently there’s over two hundred types of shark in the sea."

The young man and woman both look up, startled. Christy glances over as well.

"Tiger sharks, hammerhead sharks, pigeye sharks, Ga-fucking-lapagos sharks."

With his cigarette in one hand, Christy puts his other hand up to his chest and coughs. He is retired now, but for fifty years he worked as a barber, and in that time he had plenty of what you might call "characters" in his chair. He recognizes this Noel across the way as a distinct character type himself.

Unstable, unpredictable, dangerous.

"The great white is the only shark that sticks its head out of the water to look around. Amazing, isn’t it?"

Again—though he’s barely listening—Christy nods his head in agreement. All he wants is a quiet smoke.

"I love those names," Noel says, flicking ash to the ground. "They’re mad. Fucking hammerhead, what?"

The young couple have turned back in toward each other and are whispering again.

"I said they’re mad, aren’t they?" He is staring directly across at the young couple now, but they don’t seem to have noticed. Christy rests his cigarette in the ashtray.

"Love!" Noel shouts.

The young woman looks up.

"The names. I said they’re fucking mad, aren’t they?"

She doesn’t say anything. Christy can’t tell if she’s nervous or annoyed.

"Well?" Noel says.

"Well what?" the young woman says, definitely annoyed. Her boyfriend hasn’t looked up yet. He’s definitely nervous.

"What do you mean well what? Don’t fucking well what? me, you frigid little bitch."

Christy throws his eyes up.

The boyfriend exhales loudly and slaps the palm of his hand on the table.

"What’s your problem?" Noel says. "You bleedin’ ponce."

"Stop it," Christy says. "Enough of that."

Everyone turns now and looks at Christy.

"Who asked you?" Noel says.

"You’re nothing but a bowsie," Christy says. "Do you know that?"

Noel holds up his cigarette. "See this? I’ll stick it in your fucking eye if you don’t shut up."

There is a long silence.

Christy wants to say Go ahead, I’d like to see you try, but when he opens his mouth to speak, nothing happens. He’s seventy-three years old after all. He’s thin and wiry and actually quite frail. He has more or less permanent bronchitis from decades of smoking unfiltered cigarettes.

So what does he think he’s doing?

The man beside Christy, nudging him in the elbow, whispers, "Leave it, Christy, leave it."

But with his heart thumping, Christy makes another attempt, and this time he manages to get it out.

"Go ahead, fatso," he says—the "fatso" coming out of nowhere—"I’d like to see you try."

"Whoa," Noel says, sliding along the bench to get out from behind the table, "what did you say?"

For some reason, as Christy stares over at Noel, all he can think about is the newspaper headline this is going to generate. More specifically, and like a knotted synapse in his brain, it’s the wording he can’t get past: Vicious Thug Assaults Pensioner. Vicious Assault on Pensioner by Thug. Thug in Vicious Assault on Pensioner.

Noel gets to the edge of the bench, and pauses. He takes a drag from his cigarette.

The young woman, meanwhile, stubs hers out. She picks up the lighter and pack of Silk Cut from the table and stuffs them into her bag. Slouched next to her, the young man is trying to look casual, unconcerned.

"Come on," she says to him, "we’re going."

Pensioner Viciously Assaulted by Thug.

With the cigarette now dangling from his lips, Noel glares over at Christy. He brings his hands together, intertwines them, stretches his arms out and then cracks all of his knuckles simultaneously.

As Christy glares back, a part of him doesn’t believe this is happening. He glances down at his half-finished pint on the table, and at the pack of Sweet Afton beside it, and at the smoke rising slowly from his cigarette in the ashtray. It’s a familiar, comforting scene, almost like a still life, and he doesn’t understand how it can be about to change so radically.

But then, unexpected as this whole thing has been, something even more unexpected happens.

Just as the young couple are getting up from their table, and as Noel is getting up from his, a figure comes rushing through the doorway of the pub and out into the middle of the beer garden. Tall and reedy, he is wearing a dark-colored anorak and jeans, and—it takes people a second to realize it, to process what they’re seeing—he’s also wearing a ski mask.

Like with the impact of an explosion, there is a recoil from this around the garden. What follows it, though, isn’t panic. Instead, rapid calculations are made, probabilities are looked at, and soon it’s clear—at least to four of the five people out here—that all any of them can do now is hold their breath and watch.

The young man and woman remain frozen. The man beside Christy remains frozen, and Christy himself, stifling a cough, remains frozen.

Noel certainly isn’t resigned to watching this happen, but he remains frozen too, only his eyes darting left and right. There isn’t much else he can do in the circumstances.

The tall, reedy man, his anorak glistening in the rain, appears to hesitate. But then he turns a fraction and is suddenly face-to-face with Noel—four feet away from him, five at most.

Noel shifts his weight to the edge of the bench.

From where Christy is sitting, he can see the man in the anorak raising his right arm and stretching it out. The gun in the man’s gloved hand is metal gray, almost black, and looks like an extension of the glove.

Noel is trembling all over now. He feels a sudden stream of warm, beery piss making its way down his leg. He seems to have no muscular control left. All around him he hears a voice, high-pitched and whining, and he even manages to feel contempt for it—before realizing it’s his own voice.

Then there is a loud crack. It is followed immediately by another one and another one after that.

Christy starts coughing. The air is damp from the rain, but it is smoky and acrid now as well.

The man in the anorak runs to a wall at the rear of the garden and jumps at it. Grabbing hold of the top, he pulls himself up and swings a leg over. In a second, he has disappeared. A few seconds after that, Christy hears a motorcycle revving up and taking off. He looks over at the others. The young woman, only half standing up, is clutching her boyfriend’s sleeve. The boyfriend is sitting down again. People have started pouring out from the main area of the pub.

Christy remains seated. He looks over at Noel, who is still at his table, but slumped forward now, his head at an awkward angle. He looks like someone who has drunk too much and passed out. From the angle Christy is at, and before his view is closed off, he is able to make out a bullet hole in Noel’s forehead. There is a small trickle of blood coming from it.

Christy looks down at his pint, and at the cigarette in the ashtray. Smoke is still rising from the cigarette. He lifts it up and takes a drag from it. In all his decades as a smoker, no cigarette has ever tasted as good.

Pensioner’s Racing Pulse Returns to Normal.

He glances around. A lot of people are just standing in the rain now. They are in shock, waiting for something to happen. Most of them are talking—to each other or into mobile phones. Some have umbrellas; others are huddled into their jackets.

The man beside Christy nudges him again in the elbow.

"Jesus," he says, lifting his pint, "it’s all go here tonight, what?"

Excerpted from Winterland by Alan Glynn.
Copyright © 2010 by Alan Glynn.
Published in February 2010 by Minotaur Books.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

Most helpful customer reviews

11 of 12 people found the following review helpful.
(4.5) "He was that dangerous animal, a man of principle."
By Luan Gaines
Two shocking deaths are the catalyst for Glynn's riveting thriller. A small-time drug dealer with a big ego, Noel Rafferty, is gunned down in a local beer garden; hours later, his uncle, also Noel Rafferty, is killed in a car accident. The Rafferty family is reeling from the double tragedy, but none is more distressed than Gina Rafferty, aunt of one, sister to the other. Gina cannot accept the supposed coincidence of the deaths, especially after the last words her brother spoke to her the night before. Riddled with questions, she investigates on her own, a David in search of Goliath, a young woman with no power or resources, but plenty of courage. Although she has no proof, Gina's instincts lead her to the halls of power and men she has revered, all of whom have feet of clay.

They say politics makes strange bedfellows and a recent deal brokered in London is no exception. A new skyscraper complex, Richmond Plaza, has attracted funding from an American equity firm, thanks to the careful shepherding of property developer Paddy Norton and endorsed by soon-to-be Prime Minister Larry Bolger. Norton and Bolger have a long working history, as well as ties to Gina's brother, the now-deceased Noel Rafferty. Unfortunately, Gina's questions pose a threat to the Richmond project, to Paddy's grand plans and possibly to Bolger's future as Taoisech (prime minister). When Gina contacts Mark Griffin, a young man deeply affected by a family tragedy in his childhood, the dark secrets of the past are unleashed to the detriment of the power brokers, politicians and investors in Richmond Plaza.

Glynn's plot never lets up, from the two deaths at the beginning of the story to a shocking example of gangland violence in a confrontation in a warehouse, from the accident that took the lives of Griffin's family to a stand-off in the glass-walled Richmond Plaza, where Gina holds a gun as the SWAT team gathers. Dreams of power and fortune are run aground in a drug-fueled haze of one greedy man, while another faces the consequences of his family's activities on his behalf. Dublin is on the cusp of greatness with its new complex until Gina takes aim and brings the pretenders to their knees. Prescient in his choice of topic, Glynn has written a stunning modern thriller that addresses the moral ambiguities of the times and the acquisitive ambitions of the wealthy. Luan Gaines/2010.

6 of 7 people found the following review helpful.
Intelligent mystery and political tale in modern day Dublin
By rgregg
Winterland is one amazing book and may slip by readers since most have never heard of the author. But don't miss this one because it is a thrill ride.
Combining murder, politics, technology and economic back dealing, Glynn sets up an premise that begins with a murder, proceeds to a death in a auto accident and then builds to a captivating plot that is bound to capture your attention.
The leads in this story are not detectives, secret agents, lawyers, private investigators or some sort of Six Million Dollar man who can solve anything with gun play or martial art moves.
Gina Rafferty and Mark Griffin are two ordinary people who get caught up in a labyrinth conspiracy by powerful people involved in the complex politics and back room dirty tricks of modern day Ireland and specifically Dublin. Both have had tragedy occur to them involving members of their family and both feel there is much more to the story than meets the eye. And the villains in this book are equally fascinating, evil and yet very vulnerable.
Glynn sets up the cast of his thrilling crime novel and their various motivations clearly yet not completely until the end of the novel. He has some set pieces, one on the top of a building under construction, one in a warehouse and one in a hospital which would on their own make for phenomenal episodes of "24". During these moments, you will be turning the pages with excitement to find out how they turn out and believe me surprises await! The last pages are as intense as the previous 300.
What is going on with the brand new high rise being built near the docklands of Dublin? What is in store for the Irish minister who craves power and is willing to do anything to reach the top of Irish government? What happened years earlier in a tragic auto accident and how does that tie into another mysterious crash that occurred years later? Why did two people with the same name in the same family die within hours of each other?
I had a hard time putting down this book because Glynn never lets up on the mystery or the tension. Pick it up and you like I will be on the waiting list for the next Glynn novel.

5 of 6 people found the following review helpful.
terrific Irish Noir
By A Customer
In a pub in Dublin, someone guns down minor league drug dealer Noel Rafferty. Later that same night his uncle with the identical name dies in a strange car accident. The police proclaim the first death as a gangland homicide and the second as a coincidental accident.

Gina Rafferty rejects the police summation while the cops and most of the family reject her belief that someone sinister is getting away with a double murder. She is ignored because she grieves for her nephew and her brother. Mourning but outraged, Gina investigates the connections between her two dead relatives besides DNA and death. She knew her brother worked on the Richmond Plaza project with avaricious developer Paddy Norton, who has connections with avaricious politician Larry Bolger. Gina is convinced these two powerful greedy partners are behind the deaths in her family and sets out to find the proof.

The key to this terrific Irish Noir is the cast including the city is super solid as the key players come across genuine at a time the Irish economy is in the toilet and about to be flushed to sea. Gina is obstinate and courageous yet treated like a grieving dolt so even as the cops, family, the villains and others warn her to stop her inquiry they treat her as a harmless idiot until the realization she is closing in on the truth. Winterland is a super amateur sleuth as the truth may free you but not in this case.

Harriet Klausner

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# Fee Download Mutiny: A Novel of the Bounty, by John Boyne

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Mutiny: A Novel of the Bounty, by John Boyne

Fourteen-year-old pickpocket John Jacob Turnstile has just been caught red-handed and is on his way to prison when an offer is put to him---a ship has been refitted over the last few months and is about to set sail with an important mission. The boy who was expected to serve as the captain’s personal valet has been injured and a replacement must be found immediately.

Given the choice of prison or a life at sea, John soon finds himself on board, meeting the captain, just as the ship sets sail. The ship is the Bounty, the captain is William Bligh, and their destination is Tahiti. Their journey, however, will become one of the most infamous in naval history.

Mutiny is the first novel to explore all the events relating to the Bounty’s voyage, from the long passage across the ocean to their adventures on the island of Tahiti and the subsequent forty-eight-day expedition toward Timor. This vivid retelling of the notorious mutiny is packed with humor, violence, and historical detail, while presenting an intriguingly different portrait of Captain Bligh and Mr. Christian than has ever been presented before.

Internationally bestselling author John Boyne has been praised as “one of the best and original of the new generation of Irish writers” by the Irish Examiner. Now, with Mutiny, he has created an eye-opening story of life---and death---at sea.

  • Sales Rank: #993653 in Books
  • Published on: 2009-02-17
  • Released on: 2009-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.57" h x 1.40" w x 6.44" l, 1.40 pounds
  • Binding: Hardcover
  • 416 pages

From Publishers Weekly
Boyne (The Boy in the Striped Pajamas) revisits William Bligh's doomed expedition in this adequate seafaring historical. Captain's servant John Jacob Turnstile, a 14-year-old orphan and thief, avoids a prison sentence by accepting a position aboard Bligh's ship, the Bounty. The ship's mission to Tahiti is tumultuous, and once the ship reaches its destination, some crew members become enamored of the island women. On the return voyage, they stage a mutiny and turn the ship around, forcing Bligh and the sailors loyal to him onto a small boat with minimal provisions. Boyne's take on the story capitalizes less on the tension among the warring factions, focusing more heavily on Turnstile's coming-of-age, while Bligh wavers between an abrasive task master and a health nut with a sensitive side. The novel succeeds as a historical adventure, but it doesn't add much to the already bulging bulk of Bounty books. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 9 Up—This riveting account set in 1789 is narrated by 14-year-old John Jacob Turnstile, Captain Bligh's fictitious servant. Arrested as a pickpocket, he is offered a choice of jail or ship duty. As Turnstile adjusts to life aboard ship, he develops respect and admiration for his master. The later infamous William Bligh is portrayed as a shrewd navigator and devoted husband and father whose moodiness and rigid adherence to duty, loyalty, and honor often antagonize his crew. After six months on idyllic Tahiti, second-in-command Fletcher Christian leads 23 crew members in a mutiny, forcing Bligh and 18 loyal crew members into a 23-foot launch with only a compass and meager rations. Incredibly, with only one fatality, Bligh, Turnstile, and their companions row more than 3600 miles to a Portuguese settlement on Timor. Nursed back to health, the surviving crew returns to England where their story captures public attention. Imbuing the story with facts drawn from Bligh's personal documents, legal transcripts of his court martial, English naval protocol, and nautical history, Boyne has created a masterful adventure. According to Turnstile's poignant narrative, Bligh is more conflicted than cruel; Christian, the chief mutineer, is more arrogant than charismatic. Turnstile's quick wit and lively descriptions mask his insecurity and traumatic memories of sexual abuse. Like the crew, however, he eventually finds "pleasure" with a Tahitian girl. Teens will be captivated by this high-seas adventure, the abundance of bawdy banter, the drama of shipboard relationships, the desperate voyage of Bligh and his loyal companions, and one boy's coming-of-age.—Gerry Larson, Durham School of the Arts, NC
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Enthralling . . . Boyne’s novel can stand comparison with William Golding’s Rites of Passage. Written with a total command of naval expertise, Mutiny is storytelling at its most accomplished.” --The Independent (UK)

“Boyne’s dialogue not only shimmers as brightly as sunlight on the water, his narrative carries us to a land more exotic than Tahiti, to a place where his words illuminate the human condition. Do you believe that you know the story of the Bounty? I assure you that you do not until you have read this singular tale.” --Edward Chupack, author of Silver

“The writing grows into a mesmerizing tour-de-force . . . this is a remarkable and compelling piece of storytelling.” --The Irish Times

“Every page [is] filled with tension and suspense. . . . Boyne is a spellbinding storyteller. He wonderfully evokes a particular atmosphere. Most of all he tells a cracking good tale.” --The Sunday Independent (Ireland)

Most helpful customer reviews

6 of 6 people found the following review helpful.
Boyne is a fantastic storyteller....
By Luanne Ollivier
John Boyne - isn't he the one that wrote....? Yes Boyne is the author of the hugely successful historical fiction bestseller, The Boy in the Striped Pajamas.

Boyne turns his talents into a re-telling of the ill fated 1789 voyage of The Bounty to harvest breadfruit on what is now known as the island of Tahiti. The breadfruit was destined to feed slaves in Jamaica. After a long and difficult voyage, many men questioned William Bligh's leadership and a mutiny occurred. Bligh and 19 loyal men were turned out into a small launch and left to live or die. Bligh managed to guide them to land over the course of 48 days. Most of them did survive. Many books have been written, recounting this event.

Boyne's novel, although faithful to historical fact, is character driven. It is told from the viewpoint of 14 yr. old John Jacob Turnstile. Turnstile is given a choice - serve his gaol sentence for thievery or sign on as the captain's servant boy on the Bounty. The ship is his choice. Having never sailed before, we are treated to seeing the vessel, the traditions, the crew, Bligh himself and the fate of The Bounty's historic voyage through the curious eyes of "Turnip", as he is known to the crew. Turnstile is a wonderfully engaging character. His dialogue is witty, sharp and humorous. He is wise beyond his years in certain ways and yet naive in other matters. His documentation of the ship's crew, their personalities and what may have led to the mutiny are a fresh look at a known story. Knowing the history of the Bounty did in no way detract from the reading of Boyne's book. Boyne is a consummate story teller and The Mutiny on the Bounty is a heck of a tale. Highly recommended.

6 of 6 people found the following review helpful.
one of the best novels i've ever read!
By A. Davis
This is the 1st and perhaps only book on the HMS Bounty that i've read and, therefore, can not say how it stacks up to others like it, but let me tell you, this book was fantastic. This review will be brief so that any one who does read it will have a fresh go of it.

Basically, an urchin boy (John Jacob Turnstile) is caught pick-pocketing a pocket watch from a gentleman by the name of Mr. Zela...the boy gets caught, in leu of a prison sentence of a year he is "sentenced" to the "high-seas" aboard the HMS Bounty as the Captain's Servant...a lot of trials and trivulations...native love...mutany...more suffering...rescue...and a little finality.

4 of 5 people found the following review helpful.
Good read
By Will o' the Wisp
I have read just about anything I could find about the Bounty story and I found this book to be pretty entertaining. It's a novel, of course, and Boyne takes the liberty of making Bligh out to be an extremely sympathetic character and Fletcher Christian into a dilattante near-fop. I think both characterizations are off the mark but it's Boyne's book after all.

He cleverly puts the teenage pickpocket, John Jacob Turnstile, on the boat as Bligh's servant in place of the real-life John Smith who was Bligh's servant. And since the servant is usually in Bligh's cabin or hovering nearby, Turnstile is able to pick up on many conversations between Bligh and his officers, particularly with Christian.

However, I think Boyne made a couple of big errors in the book. Later, when Turnstile, Bligh and 16 others are fighting for survival in the lifeboat after the mutiny, Turnstile and another sailor talk about how much they hated the ship's clerk, Mr. Samuel, and how they found it typical of the man that he'd joined Christian's mutineers. But Samuel wasn't a mutineer, he was with Bligh in the lifeboat and is mentioned several times in the lifeboat story up to that point. So how in the world did Boyne put that conversation in the book and state that Samuel was a mutineer?

Also, at the very end of the book Turnstile has just gone to Bligh's funeral in 1817 and meets his mysterious benefactor from the beginning of the story. But Turnstile never mentions anywhere at the end of the book that he had any knowledge of what happened to Christian and the other mutineers who hadn't been caught. I think that's preposterous. The surviving mutineer, John Adams, and the descendants of the Bounty mutineers were found on Pitcairn Island several years before Bligh's death and that discovery was the talk of all England. It's just impossible that Turnstile, who by that point of the story has had a long naval career, would not have heard about Pitcairn. It should've been mentioned and it is a huge omission.

Boyne also tones down the real conflict between Bligh and the ship's master, John Fryer. Fryer is portrayed very sympathetically but in reality Bligh and Fryer despised each other on the Bounty, in the lifeboat and after they returned to England. Some of that is used in the book but not enough, probably in the attempt to humanize Bligh. Lastly, Boyne doesn't even mention the big disputes that arose after the Bounty stopped for supplies and repairs at Tasmania (Van Dieman's Land as it was called back then). Perhaps he left it out of the story to keep the book to the length he wanted but some of the seeds of mutiny were sowed there and I think it could've been included.

Nonetheless, you'll like the book whether you're a Bounty historian or not.

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Monday, March 23, 2015

? Fee Download Through Women's Eyes, Volume 1: To 1900: An American History with Documents, by Ellen Carol DuBois, Lynn Dumenil

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Through Women's Eyes, Volume 1: To 1900: An American History with Documents, by Ellen Carol DuBois, Lynn Dumenil

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Through Women's Eyes, Volume 1: To 1900: An American History with Documents, by Ellen Carol DuBois, Lynn Dumenil

Now available in two-volume splits as well as the combined version.  Through Women’s Eyes: An American History was the first textbook in U.S. women’s history to bring together an inclusive narrative within the context of the central developments of U.S. history and to integrate written and visual primary sources into each chapter. The result, according to authors Ellen Carol DuBois and Lynn Dumenil, was to "reveal the relationship between secondary and original sources, to show history as a dynamic process of investigation and interpretation rather than a set body of facts and figures."

The enormous success of the first edition proves that the field of U.S. women’s history was ready for a genre-busting textbook that focuses on women from a broad range of ethnicities, classes, religions and regions and that helps students understand how women and women’s history are an integral part of U.S. history.

  • Sales Rank: #1360862 in Books
  • Published on: 2008-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x .88" w x 7.56" l, 1.96 pounds
  • Binding: Paperback
  • 576 pages

About the Author
ELLEN CAROL DUBOIS is Professor of History at the University of California at Los Angeles. DuBois is the author of Feminism and Suffrage: The Emergence of an Independent Women’s Movement in America, 1848-1969; Harriot Stanton Blatch and the Winning of Women’s Suffrage (winner of the 1998 Joan Kelly Price Award from the American Historical Association); and Woman Suffrage and Women’s Rights.

LYNN DUMENIL is Robert Glass Cleland Professor of American History at Occidental College. Dumenil has written The Modern Temper: American Culture and Society in the 1920s and Freemasonry and American Culture: 1880-1930, and she is co-author with James Henretta and David Brody of America’s History.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great book!
By Amazon Customer
Purchased this book for a class but it turned out to be a great read. I would recommend this book to anyone who wants to learn some great facts and see actual writings by women in history. Reads more like a novel than a history book. Definitely not dry!

1 of 1 people found the following review helpful.
Amazing!
By Kylie
Easy to read and interesting, I was reading chapters ahead of where we were in class and continued reading past the required pages. It really sucks you in and holds your attention. Loved it!

0 of 2 people found the following review helpful.
good book
By karen motheral
Bought by accident, but good book nonetheless. I would buy if needed too for class, otherwise I don't have any use for it.

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Sunday, March 22, 2015

~ Fee Download Simple First Words Let's Say Our Numbers, by Roger Priddy

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Simple First Words Let's Say Our Numbers, by Roger Priddy

By pressing the buttons and matching the sounds to the pictures again and again, children will quickly and easily learn to count and develop their speech. Bright photographs and questions to encourage learning on every page make counting fun. Now with even clearer audio!

  • Sales Rank: #30286 in Books
  • Brand: Roger Priddy
  • Published on: 2012-12-31
  • Released on: 2012-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.35" h x .54" w x 10.12" l, 1.20 pounds
  • Binding: Board book
  • 22 pages

About the Author

Roger Priddy's passion for educating children through fun, informative and engaging books has led him to create some of publishing's most enduring and successful non-fiction early learning books. Roger lives in London and has three children, who have been the inspiration behind many of his best publishing ideas.

Most helpful customer reviews

6 of 6 people found the following review helpful.
My son loves these books!
By Natasha E. Brown
My son started with these books when he was 20 months old... now he is 2 1/2 years and he still enjoys them. I first bought him the "Simple First Words, Let's Talk" and then the numbers and the colors books. I think the first one was a good start as he learned to recognize the objects and match them up with the buttons they corresponded with. He now recognizes colors and some numbers! I sit down and go thru the books with him ((these books aren't necessarily meant to take place of the parent reading to their child)). Help your child as they learn to recognize the object, color, number or letter; eventually they will catch on. Praise them for a job well done!! Bottom line-I really like these books! ((FYI- I bought @ Costco for about 70% the listed price on Amazon.))

4 of 4 people found the following review helpful.
Still young
By E.L.Fulton
My daughter is 16 months old and enjoys most toys that make sounds and this one is no exception.She still has a short attention span as most kids this age do but UI believe exposure to the numbers is still beneficial.

6 of 7 people found the following review helpful.
My 14-month old son loves the buttons, but that's all...
By Anna Bogomolov
My son likes to press the buttons (as all babies do). But I think there could have been a better way to associate the numbers with the corresponding page. Not that I am expecting him to learn his numbers at the age of one. Overall, not much creativity in pictures that go along with the numbers - you know, apples, chickens, dogs, etc.

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Saturday, March 21, 2015

? Free PDF The Everyday Writer, 4th Edition, by Andrea A. Lunsford

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The Everyday Writer, 4th Edition, by Andrea A. Lunsford

Click here to find out more about the 2009 MLA Updates and the 2010 APA Updates. Students write every day and everywhere -- for school, for work, and for fun. And nobody else in the field of composition understands the real world of student writing better than Andrea A. Lunsford. Her trademark attention to rhetorical choice, language and style, and critical thinking and argument -- based on years of experience as a researcher and classroom teacher -- make "The Everyday Writer" the tabbed handbook that can talk students through every writing situation. But wait -- there's more! New research into student writing now informs every page of the new edition...and with expanded, more visual coverage of the writing process, research and documentation, and writing in the disciplines, today's "Everyday Writer" prepares students more than ever for everyday writing challenges -- from managing a research project to writing on a Facebook wall. "

  • Sales Rank: #813982 in Books
  • Published on: 2009
  • Number of items: 1
  • Binding: Hardcover
  • 595 pages
Features
  • Spiral Bound
  • 4th edition
  • Includes 2009 MLA & 2010 APA Updates (Bundle)

Most helpful customer reviews

1 of 1 people found the following review helpful.
great reference book
By Don Mcclune
A great resource for college - hang on to this - don't re-sell helpful with papers, etc. !

16 of 16 people found the following review helpful.
A student's perspective
By Mike Dangler
As one of Andrea's former students, I've had to read this book and use it extensively. Not only did it get me through her class, but every class I had after that (and I've had a large number of English and History classes). If you're looking for a book to help you with MLA style, Professor Lunsford covers everything you can possibly hope to draw info from, including lectures, interviews, and even MUDs online.

11 of 11 people found the following review helpful.
Every student needs the Everyday Writer
By Daniel McDonough
This book is an ideal tool for anyone who has to write for school, work, or as a hobby. The easy access tabs and extensive menus help you find what you are looking for quickly and the spiral binding lets you lay the book open while you type. The coverage of the writing process and argumentative writing really set this book apart. Anybody can write up grammar rules or documentation standards, but Lunsford's coverage of writing at the start of the book is wonderful. Buy this book and don't sell it back to the bookstore, this is a keeper. Also, for the teacher that wants one for every student, try "Easywriter" which is the smaller version of this text that only costs about fifteen bucks.

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