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Heart of Darkness (Case Studies in Contemporary Criticism), by Joseph Conrad
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This volume presents the text of the 1921 Heinemann edition of Conrad's classic short novel along with documents that place the work in historical context and critical essays that read Heart of Darkness from several contemporary critical perspectives. The text and essays are complemented by biographical and critical introductions, bibliographies, and a glossary of critical and theoretical terms. In this third edition, the section of cultural documents and illustrations is entirely new, as are two recent exemplary critical essays by Gabrielle McIntire and Tony C. Brown that synthesize a variety of current critical approaches.
- Sales Rank: #76503 in Books
- Published on: 2010-12-27
- Original language: English
- Number of items: 1
- Dimensions: 8.19" h x .55" w x 5.98" l, .79 pounds
- Binding: Paperback
- 432 pages
Most helpful customer reviews
168 of 178 people found the following review helpful.
Who knows our own Hearts of Darkness?
By Kali
I was once one of those students forced to read this book at school. I was dragged kicking and screaming to its pages and read it only because I did not want to flunk my English Literature class. I was riveted from the first page, right up to the last paragraph. It is quite simply Conrad's finest book, (yes, I read his other books after this one.) However be aware, this is not everyone's cup of tea. There will be some people who will read this book and think, "Oh God, you have to be kidding!" However if you can get passed this mentality then you are in for a real literary treat.
The story is simple enough, a young Englishman; Marlow (this character appears in Conrad's story "Youth") goes out to Africa to seek his fortune. He is at first idealistic, and full of himself. However he quickly realises that Africa is full of petty bureaucrats who have no idea how to make use of this dark jewel they have acquired. Like Colonists before them, they proceed to ravage and plunder the land of its natural resources. Enter Kurtz, an Ivory Trader who has gone Native. He has become a Renegade, living with his Black mistress in the heart of Africa's interior; systematically turning his back on his supposed civilised self.
Marlow meets Kurtz after an eventful trip up the Congo and finds himself curiously attracted to this strange man who is [very ill], and obviously going insane. Kurtz in turn is an embarrassment to his employers who would rather see him dead than returned to "civilization." Of course this is unspoken, and the hypocrisy of human natures sticks out like a sore thumb in this novel, especially as Kurtz is one of the best Ivory Traders on the Congo route.
Marlow struggles to understand Kurtz and what makes him tick, but he only touches the surface of a man who can live in neither the Black or White world comfortably. He has been [harmed] by both worlds and therefore he is cursed. Heart of Darkness has many facets; it is a story about Imperialism, racism, and the darkness of human nature. Conrad purposely leaves the ending open to interpretation. ...
This is a book that will make you think, make you want to it re-read again and again in case you have missed anything. There are also some genuinely funny moments in the book such as the Doctor who measures skulls for a hobby and the pompous Trading Post clerk who teaches his Black maid to starch his clothes. This edition, (Dover Thrift) is well worth getting as well, as it is [inexpensive] and cheerful and it definitely won't break the bank money wise.
403 of 444 people found the following review helpful.
How To Make a 75 Page Story Into a 400 Page Book
By Bucherwurm
I would like to address myself specifically to the Norton Critical Edition of this book. The difficulty that many readers face when they pick up a classic, pre-twentieth century novel is that they are not conversant with the history of the times in which it was written. Heart of Darkness can be enjoyed purely as a well written novella, but then you miss so much of what Conrad is trying to say not only regarding the thin veneer of man's social persona (ala Lord of the Flies) but about the evils of 19th century imperialism. What is the story of Colonialism? Do Conrad's derogatory remarks about Blacks make him a bigot? What were Conrad's overall views on life? What were Conrad's personal experiences in the Congo? What did readers think of Heart of Darkness when it was written, and what do the critics think of it today?
The Norton Critical Edition gives you 325 extra pages of material written by Conrad and others that provide answers to the above questions. You don't have to read all of these many articles, of course, but a good sampling of them will make your immersion in this famous story all the more enjoyable and meaningful.
This is a story that everyone should read, and the Norton Critical Edition provides the best format for the reading experience.
146 of 160 people found the following review helpful.
The title has become a cliche; the book is as fresh as ever
By hugh riminton
No-one seriously interested in English literature can afford not to read this book. As a central device, the parallel journey into the heart of Africa and the dark centre of the human experience, remains as powerful as ever. The writing in the opening pages, depicting the men and the Thames and the wide possibilities that rise with every outgoing tide, remain as evocative as anything in English. Conrad's subject is barbarity, a theme as relevant now as then. His dark view of the colonial instinct also stands as a warning at this very hour. With "Lord Jim" a thicker, but in many ways easier book to read, Conrad poses the great existential question that was to dominate personal politics throughout the 20th Century, the taking of personal responsibility, the search for personal redemption - as one character puts it: "How to be - Ach! How to be?" With "Heart of Darkness" he articulates what Michael Ignatieff has described as "the seductiveness of moral disgust." Faced with the darkness around him, the character Kurtz advises "exterminate the brutes." His final, dread epiphany, his message from the heart of his own darkness "The Horror! The Horror!" is as chilling now as it was a century ago - a century that has seen more horror than even Conrad could have imagined.
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