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In the heart of the new millennium, worlds beyond our imagination have opened up, blurring the line between life and art. Embracing the challenges and possibilities of cyberspace, genetics, the universe, and beyond, the world of science fiction has become a porthole into the realities of tomorrow. In The Year’s Best Science Fiction Twenty-eighth Annual Collection our very best SF authors explore ideas of a new world with such compelling stories as:
“Chicken Little”: The Locus Award-winning author Cory Doctorow shows us a future where the rich keep getting richer, and intend to stay that way--no matter what.
“The Starship Mechanic”: Jay Lake and Ken Scholes join forces for a wry story that shows us that a workman is only as good as his tools—and that some of those tools are specialized for some very weird tasks indeed.
“The Night Train”: The prolific writer Lavie Tidhar brings us on a vivid, violent, and bizarre journey on The Night Train, where few of the passengers are what they appear to be, and death can strike from nowhere at any second along the way…
The thirty-three short stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including:
Nina Allan
Eleanor Arnason
Kage Baker
Stephen Baxter
Chris Beckett
Aliette de Bodard
Damien Broderick
Pat Cadigan
Brenda Cooper
Cory Doctorow
Joe Haldeman
Jim Hawkins
Alexander Jablokov
Ted Kosmatka
Jay Lake
Geoffrey A. Landis
Yoon Ha Lee,
Ian R. MacLeod
David Moles
Naomi Novik
Steven Popkes
Hannu Rajaniemi
Robert Reed
Alastair Reynolds
Ken Scholes
Allen M. Steele
Michael Swanwick
Rachel Swirsky
Lavie Tidhar
Carrie Vaughn
Peter Watts
Tad Williams
Supplementing the stories are the editor’s insightful summation of the year’s events and a lengthy list of honorable mentions, making this book both a valuable resource and the single best place in the universe to find stories that stir the imagination, and the heart.
- Sales Rank: #1652334 in Books
- Published on: 2011-07-05
- Released on: 2011-07-05
- Original language: English
- Number of items: 1
- Dimensions: 9.45" h x 1.63" w x 6.48" l, 1.80 pounds
- Binding: Hardcover
- 704 pages
Review
“This series remains an excellent resource.”—Publishers Weekly
Praise for Gardner Dozois and The Year’s Best Science Fiction: Twenty-seventh Annual Collection:
“This smorgasbord of thought-provoking fiction ensures that any reader will likely find something appealing.” —Publishers Weekly
“Gardner Dozois’s long-running ‘best of’ series is rightly a favorite...Mr. Dozois picks fiction that deserves to be better known to a wide audience.” —The Wall Street Journal
Fifteen-time Winner of the Locus Award for Year's Best Anthology
About the Author
GARDNER DOZOIS has been working in the science fiction field for more than thirty years. For twenty years he was the editor of Asimov's Science Fiction, during which time he received the Hugo Award for Best Editor fifteen times.
Most helpful customer reviews
33 of 34 people found the following review helpful.
uncharacteristically weak collection
By wheeeeee
I don't know if it's the editor's selections for this volume that were poor or if it was just a bad year out there. I trust Gardner and hope he's not lost his edge, so maybe it's just a weak year.
I've been reading these best-ofs since I remember being able to read. And this is the first time in 30 years that I've read some of the selected works and went, "Really? This made it in?" They're not just weak, some of the work is just downright terrible. One of the stories is a long incoherent ramble that goes nowhere. A few shine but it's about one in four.
I normally buy these volumes as a means to get exposed to new writers, and then seek out their books to purchase. I love short stories and do buy 3-4 of these types of volumes every year.
I can safely say this is the worst volume in the series and can safely be ignored.
Buy one of the award nomination volumes this year and hope that next year's crop is better than this.
One major beef with Gardner is that he is fond of giving away too much of the story in the opening comments. I'd really like to read the story as the author lays it out, and Gardner writing, "The following story about a businessman who time travels back to the Jurassic to find his long lost love but ends up instead quantum teleporting to Mars" gives out way too much detail and no doubt must be annoying to the writer who would like to introduce his story without giving out the essentials of the plot.
I prefer the method I've read in Gene Wolfe's collections, where the story opens without any of the prattle, then the author's comments are at the end. Where they should be, when you have absorbed the story and what he has to say is relevant.
Blowing the plot in advance, giving us all kinds of details about the author's life, means much less before we've read his story.
HAVE DESSERT AFTER THE MEAL NOT BEFORE
Please give it some thought.
27 of 29 people found the following review helpful.
Science Fiction from the Year of E-Books
By John M. Ford
Gardner Dozois presents his picks of the best science fiction from 2010. His review of the field notes the flood of e-books, reported by some publishers to exceed sales of paper books. Dozois remains a believer in the future of print science fiction. His review of book and printed magazine sales in 2010 offers supporting evidence. The main attraction, of course, is a set of thirty-three carefully-selected stories, each preceded by a concise, well-written introduction to the author and related work.
My five favorites are:
Robert Reed's "A History of Terraforming" follows a planetary engineer from his formative experiences in childhood through a career of increasing challenges. The journey is richer than its ending.
Ian Macleod's "Re-Crossing the Styx" introduces a future in which the wealthy can afford to prolong their lives indefinitely. With the daily help of someone they are sure they can trust.
Joe Haldeman's "Sleeping Dogs" follows a war veteran returning to a far-away battlefield to uncover a truth no longer available in his memory. Can this piece of the past be allowed into his present?
Yoon Ha Lee's "Flower, Mercy, Needle, Chain" gets my vote for the best story in the collection. A woman guards an ancient weapon that can remove pieces of the past. Large pieces. The dialogue between the two main characters is reminiscent of the book-long bar discussion in The January Dancer.
Pat Cadigan's "The Taste of Night" reminds us that the remaining senses sharpen to compensate when one sense is lost. How might this work when a new sense is emerging?
This collection is recommended. All of the stories are clearly science fiction, although they cover a lot of ground from traditional space opera to the future of an alternate history. Only a couple of them are overly preachy about current social issues. Fewer than usual--just three--also appear in David Hartwell and Kathryn Cramer's Year's Best SF 16. The investment of your money and time is well-returned. Enjoy!
8 of 9 people found the following review helpful.
Book size
By Linda E Gillett
Have all the "Years Best Sci-Fi" Annual Collections, and concur with the other reviews of his commentary at the beginning - always informative, pointing the way to good authors and stories. Most of the stories are very good. He is likely right that e-books will out-sell actual printed material before too long, and this book is a sample of one of the reasons why...the print is too small. I compared this book to the 19th Annual Collection, and though more words (300,00 versus 250,000), it is significantly smaller, ie. smaller print. I understand that less paper = lower costs, but that bargain is forcing 'older' readers such as myself to switch to electronic gadgets so the type size can be set to legible size. Tis a shame...
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